Subah Subah, bhayyia pointed me to this song in Jaijaiwanti. Touching and very sweet. I guess its a very young lata singing there. Music is by Sudhir Phadke. SJ has uploaded Sudhir kaka's version too. Which is also excellent! Esp. where he says "door jaana naa" it lends itself to a very emotive high point. Normally I try to follow lyrics, but here the music simply stole the show and I just couldnt! Youtube also has a similar rendition of jaijaiwanti by Pt. jasarj. I am putting up here only lata and phadke's. You can search for Jasraj's one.
I dont think much of Shankar Mahadevan. Barring a few songs like Man Udhan varyache(age bai agarcha) and his performances with Shakti-band, I have no great memories of him. So when I saw him teaming up with Pt. Ratan Mohan Sharma, one of the most acclaimed disciples of Pt. Jasraj(besides Pt. Sanjeev Abhayankar ofcourse) I was rather surprised.
They are singing a Beautiful kritti - tarak brahma swarupini- a beautiful amalgamation of Hindustani/Carnatic sytles. The opening is heavenly too, very dhrupad style(to my ears that is!). Its so sweet and it moved me so much that if yours truly had any power I would confer the title of Pt./Vidwan on Shankar Mahadevan. Anyway, does he need any title after singing like that? :) :) :)
Absolutely thrilling, do watch and enjoy. Raag is Yaman(sakhi e ri aali piya bina), I could catch the pakad easily. Do comment if you know more about kritti or this program in general where was this telecast/when etc.
This is a popish-folkish song by a Pakistani band called Noori. Vocals are by Ali Hamza. Has lots of good intrumental sounds, espcially the Veena which is being played by mother of Ali Hamza. I had no idea that veena is still being played in Pakistan. Even in hindustani classical, veena has sort of receded in the background and sitar maestros are ruling the scape thanks to Amir khusro(?). Mridang also has met a similar fate thanks to Tabla. Veena is still dominant in the carnatic though.
What I dont like is towards the end it becomes very pop-ish and noisy. Mebbe I am disconnected with this generation's music ;)
Ismailism is a subsect of Shia islam. It has a deep mystical angle which I will describe sometime later. The Ismaili Pirs who travelled in the subcontinent created a unique poetry style called Ginan. The syncretic tendency of Pirs also allowed their identification with the Bhakti movement. Even in the poetry you find lots of elements of Vedic and Islamic tradition. You can find more about it on the web. Here is beautiful Ginan sung by Abida Parvin.
Note: The Ginan starts at 1.10, the beginning of clip is also a famous and beautiful quawwali, Ali Maula.
Now tulram is tricking us here ;) which one will you all trust ?
1. Deha devache mandir(body is god's temple) (in sanskrit.. Deho devalaya prokto)
OR
2. Shariiram vyaadhi mandiram (body is temple of dis-ease)
This reminds of this incident where someone goes to ramana and says shariiram vyadhi mandiram and Ramana quips, Body is not temple of disease, body itself is a disease.
Only a genius like Pt. Jaidev can select another genius like Pt. Bhimsen and turn a tulasidas bhajan into a memorable movie song. So much so, that this movie, fetched the national award for best music in 1985. Look at how it is sung by Bhimsenji, this is supposed to be a Bhakti song, devotional, emotional and filled with pathos....right?. Instead he transforms it into a shastriya master piece, with his taans and gamaks! What to do ? Call a "Pandit" to sing it and he is gonna leave the indelible mark of his "Paanditya" on it, Simple :)
Some time ago, I was trying to find this song online on youtube, since I couldnt find any, I decided to upload it myself on youtube. I sent mp3's to my friend and asked him to do it for me. Thanks Pradyu, you rock.
Btw this is from the movie Ankahee. It is an extraordinary movie. Movie depicts a confused Amol Palekar, unable to choose between his heart which wants his sweet-heart, and his head which brings him to make an unreasonable choice.
The other song is also my fav. :) Thumak Thumak pag kumad kunj mag, chapal charan hari aaye. Hear this carefully, and tell me can ANYONE sing this song now, apart from Bhimsenji himself? ANYONE?